Thanks to all the folks at Knitting Daily who invited me today to have a chat with Kate Gilbert -- one of my favorite designers -- about her design the Sunrise Circle Jacket as part of their week long celebration of the Readers' Favorites Awards.
So Kate . . . I have to ask you the obligatory when did you learn to knit question. So this is it. You can lie down first if you want to.
Ha. well. When I was 16, I was flicking through the channels and passed a movie with Cary Grant knitting. And I thought, "I want to knit"
Cary Grant knitting? ::excitement :: I'm going to have to look that one up! (I did. The movie is Mr. Lucky from 1943)
So one day, I went to one of those big box stores and bought needles and yarn. and I went to the library and got out a couple books (which I now realize were EZ and Maggie Righetti
and I taught myself by mostly ignoring what the books said and being too lazy to read them, which is why I knit with one needle under my arm. It was the only way to knit and read the book at the same time.
That's so funny. I love that: how you were imprinted to knit like a Shetland Islander.
Yeah. I used to kind of rig the armpit of my shirt into a needle belt sort of thing.
I knit really close to my chest still with dpns and circs because you can't stick them under your arm, so I kind of poke them into my chest. It's only after I moved to France seven years ago that I finally figured out that I didn't knit "wrong" and that I knew what I was doing and that most of the stuff I had figured out out of necessity were real techniques.
And yet you were already designing?
I always designed. When I was 16, I didn't even know there were yarn stores. The only patterns I found (knitting wasn't cool back then) were from the 70s, so I had to just make stuff up. And I didn't understand gauge or yarn weights so I had to make stuff be the right size by changing it. I wrote a blog entry about my first sweater. It was pretty horrible.
So you have this background in having to figure things out for yourself. Knitting wise. Which makes sense, because whenever I look at a new designs of yours, the first thing that occurs to me is “How did she figure that out?” You really play with what has been possible.
Thank you.
So, can you tell me a little about how Sunrise Circle Jacket came to be, where you got the idea?
I just wanted to make a jacket with pieces of circles for the fronts. I don't remember why anymore, but I have the sketch in an old sketchbook. It just seemed logical to either start on the edges and go towards the sleeves or start with the sleeves and go towards the edges. I tried both several times. This pattern had me in tears, partly because the knitting deadline was a week or so before my due date. I was afraid I would have a baby before I would have the sweater.
I've seen it done in so many ways: w/ self striping yarn, ruffles . . .
Ruffles? that's a good idea. I don't think I've seen that one.
ioexception Katherine knit it. Here it is
wow! She had to have about a billion stitches at the end. I'd love to see it on her! If you are out there, ioexception Katherine, please send me a photo!
And another one I like is Tomoko's with a contrast colour on the turning row.
That's really beautiful.
I remember seeing Katy’s at Rhinebeck in cotton, which really surprised me. I was surprised that it worked in cotton because of the drape issue.
I think she chose her yarn well.
That's always the key, isn't it?
Definitely. That was the first time I had seen someone walking around in something I designed. I am interested to see that people like it to close in so many different ways too. One closure (mustaavillaa Terhi's), or three (Hope's), or six (like yours). And it's funny how
some people like a huge overlap and some like it more like a bolero.
Like this one, by Hadley ?
That is awesome. Wow: who knew? I'm a sucker for color.
Then you'll really like the felted one that Uta did, and there are some other lovely ones I found on her blog that some of her customers have made: Petra’s version in blue: click here
Regina’s version in red: click here
Those are pretty wonderful.
I wanted to ask you something about the popularity of your work.
You’ve had a few of your designs really take off, thanks to the
internet. Blogs and chat rooms really spread the word quickly. I don’t remember any knitting patterns having the wildfire appeal that
they do now. When something takes off like that, when you see someone
wearing something you designed, it must be when like a rock band hears their
song on the radio for the first time. What went through your mind the
first time?

Seeing the Bird in Hand [mittens] all over has been the most satisfying somehow. I kind of missed the clapotis thing since I was in France and not terribly plugged into the blog-o-sphere at that point. I'm just happy to see people knitting my stuff. Especially when it's a pattern I'm really proud of.
I've knit several of your designs and always get a charge out of them. I remember finding the increases in SCJ to be really entertaining. They made me smile.
I'm really glad that you liked the pattern. I just want people
to have fun knitting and to play with the possibilities, use their own creativity. I mean, that's what handknitting should be about, right? If it's something I designed that inspired them, then, well . . . cool.
Judging from how people have run with it, I think you've succeeded. Thanks, Kate.
Want more Kate Gilbert? Here's her blog, needles on fire, and here are her patterns.
…and be sure to check out the other stops on the blog tour!
Monday April 14: Sandi Wiseheart interview on Smoking Hot Needles
Tuesday April 15: Norah Gaughan interview on Lolly
Thursday April 17: Stefanie Japel interview on Chez Aristote
Friday April 18: Evelyn Clark interview on The Panopticon